Wednesday, December 31, 2008

The Rise of American Democracy by Sean Wilentz - Book Review


For some time I’ve wondered how and why political parties developed in America. George Washington warned against political parties, holding that they were divisive and would corrupt the new republic being founded. But it didn’t take long for a party system to develop. By the time of the accession of John Adams to the presidency, the conflicts about how the new country should govern itself found their voice in the development of organized factions, and we were on our way to the party system. Sean Willentz’s massive book The Rise of American Democracy: Jefferson to Lincoln tells the story of the growth of the party system and the eventual emergence of a two party system in America. It’s sometimes difficult to remember in these days, when we are subjected to endless hours of discussion of the process of politics, that people actually differ on substance. Political parties often reflect genuine philosophical and practical differences in belief about how the nation should be governed, what it stands for, and what actions it should take. These differences are reflected in people’s choices about identification with political parties. It turns out that as long as people identify with the needs and desires of like-minded others, parties are inevitable. During the first half of the nineteenth century, the country was developing and changing rapidly, issues separated regions socially and economically, and political matters were unsettled enough to give hope to many factions.

Within this context, Wilentz covers a period of about sixty years with very close detail. He uses the personalities of the big players and issues. Jefferson, Jackson, and Lincoln dominated the presidency, while lesser lights like van Buren, Taylor, Tyler, Polk, and (worst of all and much like George Bush) Buchanan gummed up the works. Banking, westward expansion, internal improvement (today read infrastructure), and tariffs dominated the issues, but overall the specter of slavery reigned. The Founding Fathers ducked the issue, leaving it for succeeding generations to settle, perhaps believing the problem would collapse of its own inefficiency and never anticipating the need for the bloodiest strife in our history to settle the problem. The other set of personalities and powers dominating the book are politicians who never made it to the presidency. Daniel Webster, Henry Clay, Stephan A. Douglas, and John C. Calhoun were the legislative giants of the era. The two largest conflicts during this period had to do with the role of the federal government in regulating money and the question of the expansion of slavery into the new territories being admitted as states. Wilentz clearly demonstrates that later southern apologists claiming that states rights, not slavery, was the central cause of the Civil War are revisionists efforts to rehabilitate the south. For nearly half a century preceding the war, slavery was the single most dominant issue: where it would be, how chattel slaves could be bought and sold, what property rights concerning human possessions slaveholders could maintain. The devil’s bargain to count slaves as 3/5 of a human being for census purposes while never granting any rights to these people enshrined in the Constitution assured the dominance of a rather small minority of slave owners in this continuing struggle.

Through the 1850’s as the Whig Party dissolves and the Republicans invent themselves; the rise of Abraham Lincoln seems almost inevitable, as does the dissolution of the Union. Particularly interesting to me was the platform in which Lincoln ran. I have often thought that, had he been alive today, Lincoln would have been a democrat. The Republican platform of 1860 pretty well seals the deal for me. Ever since I can remember and longer than that, the Republican Party has claimed to be the party of Lincoln and left us to be represented by Jefferson and Jackson. Actually we deserve Lincoln, too. A look at the platform he ran on in 1860 shows this pretty clearly. Why not take the appellation of ”the party of Lincoln" away from the Republicans.
Here're some of the major points of the Republican platform of 1860:
1. Condemned John Brown (anti-terrorism)
2. Opposed nativist changes in the immigration laws.
3. Backed the Homestead Act. (free land for those willing to (im)prove it)
4. Federal aid to internal improvements (infrastructure).
5. Asserted that the "normal condition was and always has been Freedom (opposed slavery)
During Lincoln's campaign, he was dubbed the "Railsplitter," i.e. the representative of the common man. Furthermore, his campaign forcefully opposed the efforts of southern hotheads to destroy the union, standing instead for a reasonable approach that would maintain the Union, in which he was eventually joined by Stephen A. Douglas. (pp.762 -763 of Sean Wilentz, The Rise of American Democracy. It would certainly be nice if Democrats could legitimately claim Lincoln as well as Jefferson and Jackson, two somewhat problematic figures. The Republican “southern strategy” of the last generation bears remarkable similarity to the approaches of the party labeled Democratic in the pre-Civil War era.

The period abounded in a multiplicity of factions calling themselves parties: Loco Foco, Federalists, Barnburners, Hunkers, Whigs, Free Soilers, and the Liberty Party among others. Irony, too, can be found. As Americans struggled to determine what the democratic ideal would look like, they explored suffrage (women, blacks, people who did not own property), slavery, the nature of money and debt, national expansion, international place in the world, and a number of other often conflicting and confounding issues. The irony of the pre-Civil War Democrats becoming the party of FDR’s New Deal and the party of civil rights while the Republicans opposed slavery and encouraged the development of national transportation networks but became the fomenters of today’s Republican party, which has lost almost all representation in the northeast cannot be missed.

The Rise of American Democracy is not a book for the faint of heart. It contains nearly 800 pages of pretty dense text and over 200 more of notes and index. It is filled with detail. Nonetheless, for people who consider themselves students of American history, this book is essential, and pleasurable, reading. The book can be obtained from local bookstores and online. In trade paperback, it retails for $19.95, a good buy on a per page basis. In terms of its body of information it’s really a great read.

Sunday, December 28, 2008

Pick of the Litter

I started out to put together a portfolio of pictures I wanted to call "Best of 2008." As I worked through my photos, I realized there were too many I liked for me to call them the best or to call them anything else. The pictures in this portfolio were all taken between mid-January and the first day of May, 2008 at a number of different events. I picked the particular shots because I like to think they capture something essential I see in the subjects. Whether it's humor, lonliness, concentration, intensity, or some other quality, I like to think of these as portraits that capture something more than just an image. If they work as photographs, they move you in some way. I'll provide some context and maybe a few comments, but, for the most part, let's let the pictures speak for themselves.
Molly Kate Cherryholmes

Molly Kate & Susanna Langdon

This year, Dailey & Vincent enjoyed almost unprecedented success, winning seven awards at the annual IBMA awards show. The pictures below were taken during one of their first performances, at the Rodeheaver Boys Rance in Palatka, FL in mid-February.


Jamie Dailey

Jamie Dailey & Darrin Vincent

Owen Saunders & David Davis

Paul Priest

Lorraine Jordan & Jerry Butler

At age 84, Tut Taylor continues to be a force in bluegrass music. He is an eternal font of ideas. From inventing a new way to pick the Dobro as a young man, to inventing a new form of resonator guitar he calls the Tutbro, to putting out two new albums in the past three years, Tut continues to have one of the most creative and inventive minds in music.
Tut Taylor

Lee Taylor (Mrs. Tut)

Laurie Lewis

Sean Lane

Sierra Hull & Hiway 111 have made a huge impact in the past couple of years. Fronted by a, now, seventeen year old mandolin phenom and featuring Cory Walker, two years her elder, the band showcases the virtuosity and energy of so many young musicians. People who have given up hope for the future of bluegrass need look no further than this group.
Sierra Hull & Hiway 111

Sierra Hull (she also plays guitar)

Cory Walker

Andy Hall

Travis Book

David Holt & Dr. Ralph Stanley

Pete Wernick (Dr. Banjo)

It doesn't take being around bluegrass too long for fans to recognize that this music is nearly lily white in complection. The Carolina Chocolate Drops create a fascinating and entertaining linkage between bluegrass music and the string band music of the early twentieth century, which is one of the wellsprings from which bluegrass sprang. Their lively shows are something no bluegrass fan should miss.
Justin Robinson (Carolina Chocolate Drops)

Rhiannon Giddens (Carolina Chocolate Drops)

Each year, Merlefest puts a group of the country's finest mandolin players on the Creekside Stage on Saturday afternoon for a set called Mando Mania. Here are four of the great pickers chosen for 2008. Look for an equally appealling and challenging group in 2009.
Mike Compton

Darin Aldridge

Sierra Hull

Rebecca Lovell

Merelefest is a huge festival and the Watson Stage faces a vast sea of seats. Few performers can carry an audience with a solo performance in a venue like this. Tim O'Brien is one of them.
Tim O'Brien

Rhonda Vincent


Alison Brown


Joe Craven


Doc Watson


Claire Lynch


Bela Fleck


Dan Tyminski


Adam Steffey


It has often been said that bluegrass music, at least historically, has been pretty much a boys' club. A look at the four faces that follow as well as back up the list indicates that much of the creativity, energy, and tunefulness in the music comes from the women and girls performing today.
Becky Buller

Valerie Smith

Sherry Boyd (Emcee for Norman Anderson Festivals)

Cia Cherryholmes
Katie Wilson (The Wilson Family Band)

The Gibson Brothers' last four CDs have reached number one in the Bluegrass Unlimited charts. For a pair of brothers from the northernmost reaches of New York State, singing an innovative and creative mix of pure bluegrass, classic country, and rock tinged songs of their own composition, this is quite an accomplishment, and they've found a national audience.
Eric Gibson

Leigh Gibson

Clayton Campbell

Steve Gulley (Grasstowne)

Alan Bibey (Grasstowne)

Kevin Prater (James King Band)


James King

Kevin Prater & James King flank the late Eugene Crabtree

Junior Sisk

Larry Gillis

Ralph Stanley

So there's a collection of pictures that I'm proud of. I know that some of your favorites aren't here, but these are the ones that particularly appealed to me as I trolled through my files during the last couple of days. I hope you enjoy them.

Wednesday, December 24, 2008


Merry Christmas

&

Happy New Year

To All the Readers of My Blog


from

Ted and Irene Lehmann


Monday, December 22, 2008

Second Anniversary of My Blog

Today is the second anniversary of my blog, and, as has become my custom, it’s a time for self-appraisal and a look at its progress. According to my first hit counter, Amazing Counters, I have had a total of 93, 806 page views as of 7:00 AM, but this is a gross view of who my readers are and what they’re interested in. A free program called Google Analytics provides a good deal more useful information. But first, I’d like to take a look at what’s happened here.

Back in December of 2006, after thinking about blogging for some time but not knowing whether I had anything to say to a larger world, I thought that the interest in bluegrass music we had developed over the past four years and my long-standing wide reading were two elements of my interests that I’d like to put out for others. My first posts were a review of a couple of books I’d just finished reading and an exploration of why and how we had become interested in bluegrass. In the ensuing two years, I’ve posted 269 times, or roughly 2.5 times a week. I’ve posted 210 times about bluegrass, written 35 brook reviews, and 22 items I labeled as brainstorms. Brainstorms can overlap into other categories, but I generally consider them to be pieces in which I’ve tried to analyse some particular phenomenon. Looking over what I wrote under this rubric, I find a lot of it having to do with my thoughts on bluegrass, With one exception, I’ve generally stayed away from politics, and I’ve made one foray into popular culture, writing about the TV program, Extreme Makeover. As my blog has progressed, it has increasingly become a site where I post my photographs to complement my writing. Since my readers seem to like the pictures, there have been more and more of them, although I like to think of myself as a writer who takes pictures, rather than a photographer who writes commentary. I hope to maintain a good balance between the two.

During the past year, Google Analytics tells me I’ve had. According to Analytics, I’ve had 44,640 visits generating 70,295 page views from 24,340 unique visitors in the last year, an increase of 255 percent from the previous year, and my average visitor spent one minute and thirty-two seconds on the site. I’m told that an average visitor spends roughly ten seconda at a site before clicking away. The visits came from 102 countries and territories as well as from every state in the United States. The numbers, however, tell only part of the story. I’ve been surprised and pleased at the number of people who approach me at festivals and ask, “Are you Ted Lehmann. I read your blog all the time.” I’m also gratified by the number of people who comment on my posts, either in the comments section on the blog or in the forums where I post announcements. Incidentally, only one site has explicitly complained about my posting pointers to my blog on their site. Mandolin Café has asked me to include increased amounts of mandolin content in my posts to their site. I’ve complied with their requests, but they seem to have downgraded my work nevertheless. I’m sorry they chose to do this, since they used to represent about 5% of my hits in any given week.

The largest number of hits came from a variety of direct hit sources. Either people had bookmarked my blog, or they clicked on links to it placed in a variety of forums. The leaders were Banjo Hangout, Google, Bluegrass Rules, Mandolin Café, The Unofficial Martin Guitar Forum, and the Bluegrass Blog. Festival Dirt, the unofficial Merlefest site was also a big contributer. People who came looking for my site spent an average of 2:54 there. Two or more visitors came from 390 sources. Merlefest drew by far the greatest number of visitors, followed by IBMA, the ETA Bluegrass Cruise, and the Strawberry Park Bluegrass Festival. Two albums I reviewed made it into the top fifteen searches, Through the Windows of a Train by Blue Highway and The Infamous Stringdusters’ self-titled second album. Nevertheless, the largest number of hits came from direct hits or searches made in a search engine. The largest clusters of visitors came during Merlefest and IBMA, when I was photo blogging. Look for an improvement in pictures this year since I have a new camera and lens combination.

While the statistics are interesting, at least to me, and gratifying, they’re not the real story. The real story lies in me and you. For me, actually US, because Irene is a crucial part of this enterprise and will be taking a more important one with a camera in her hand, our involvement in bluegrass music and with bluegrass music serves as an endless fascination. We’ve come to know and care for hundreds of people through our associations with the fans, musicians, promoters, and other s associated with the music. We never expected this to happen and the response of the bluegrass community to us and the blog has been wonderful. You are the people who read my blog and include us in the variety of activities we’ve been privileged to attend and to comment upon. Thanks to all of you.

Thursday, December 18, 2008

Fall Foto Favorites 2008 - Fan Fest Saturday

Fan Fest at IBMA was such a huge event, that I've chosen to put two collections of photographs up for this event. I'll finish my year end photo review with a set from later events in a week or so. Meanwhile, I hope you enjoy this set.

Carrie Hasler

Carl Jackson & Carrie Hasler

Wildfire

Randy Graham & Audie Blaylock

Audie Blaylock & Redline

Joe Booher & Tim Shelton (New Found Road)

Greg Corbett (Circuit Riders)

Greg Luck & Darin Aldridge (Circuit Riders)

Jarret Carter (Circuit Riders)

Darin Aldridge (Circuit Riders)

Justin Carbone (Special Consensus)

Greg Cahill (Special Consensus & IBMA President)

Alecia Nugent

Melonie Cannon & Alecia Nugent

Blake Williams (Williams & Clark Expedition)

Michael Martin Murphey

Michael Martin Murphey

Eamon McLaughlin (Greencards)

Carol Young (Greencards)

Jake Stargell (Greencards)

Carol Young (Greencards)

Ralph Stanley II

Ronnie Bowman
Ronnie Bowman
Donica Christiansen (Ronnie Bowman)
Katie Wilson, Ronnie Bowman & Kayln Hall

Darrin Vincent & Jamie Dailey

Jeff Parker (Dailey & Vincent)
Jamie Dailey

Darrin Vincent & Joe Dean, Jr. (Dailey & Vincent)

Amy Grant & Vince Gill backstage

Vince Gill Bluegrass Band

Vince Gill

Terry Baucom

Bradley Walker Band

Bradley Walker
Kathy Matea, Carl Jackson, & Kitsy Kuykendahl

Carl Jackson, Pete & Kitsy Kuykendahl (Bluegrass Unlimited)

Lonesome River Band

Sammy Shelor (LRB)

Brandon Rickman (LRB)

Mark Hartgrove (LRB)

Carl Jackson & Me

Wednesday, December 17, 2008

Gibson Brothers in Best Songs 2008 List

The Gibson Brothers have been tagged for honorable mention in a Best Songs of 2008 list on a local music blog in Tampa, Fl called Tampa Calling. Check out the list and the company they're in. Especially be sure to hit the link to the Top Twenty Songs. It's always an important moment when a bluegrass band gains this kind of recognition outside the narrow confines of our music. They've also been mentioned for two SPBGMA awards for Bluegrass Album of the Year and Song of the Year, Iron and Diamonds.

Eric and Leigh Gibson

Sunday, December 14, 2008

Linda Ralph Benefit Concert at Weston Playhouse

Linda Ralph

Linda and Butch

Linda Ralph lies ill in a Vermont hospital. On Thursday night a nor’easter turned portions of New England into a huge ice rink, littering roads and power lines with ice and knocking out electricity to almost half of New Hampshire and large swaths of Vermont. Because the power had been out at the Weston Playhouse for thirty-six hours, the benefit for Linda was cancelled and then, when the power was at least partially restored, revived. On receiving word of the cancellation, members of several of the bands had made other plans, which made it impossible for them to come. Despite all this and an antiquated heating system struggling to bring the building’s temperature up to the comfort level, about 300 people showed up to celebrate in Linda’s name and contribute funds toward helping the family meet the challenges of this devastating health crisis.

Weston Playhouse

A variety of items were donated by the bluegrass community for a silent auction including a lovely Martin Night Shift guitar. New England and New York bluegrass festivals donated weekend passes to a number of very good festivals, and musicians showed up to play for the enthusiastic and knowledgeable crowd. Linda Ralph’s mother, sisters, daughter, son, and grandson came for the event and showed marvelous grace in their response to the audience despite the grief and fear they all carry. Candi and Seth Sawyer ram-rodded the event with the assistance of Candi’s mother Brenda and her grandfather, Fernan Mathews. The Jenny Brook Bleugrass Festival family of volunteers showed up and did yeoman work all day long, including a couple of hours cleaning the facility after everyone else had left. Events like this show the bluegrass community at its very best, coming to the assistance of those in need by celebrating their lives and the music we cherish. Despite the sadness of what has occasioned the event, those attending were able to share together the fellowship of their concern for Linda and her family and the joy of the music. What follows is a small pictorial representation of the event.

I've posted at Picasa Web Album with a larger selection of pictures from the benfit. Look for it here. I will leave it up for 30 days. You should be able to download any picture you want, print it, or distribute via e-mail. Enjoy them. Let me know if you like them.

Candi Sawyer & Harry Ralph

Candy Sawyer and Judy Ralph

Clyde Proch


Irene Lehmann, Clyde & Scott Farrar


Judy Ralph and her Niece

Zach Ralph & Judy Ralph

The mellow voices and entertaining singing of folk and pop ballads by Al and Kathy Bain opened the afternoon's event. Their low-keyed approach and support for the event provided exactly the right opening for the days.

Al Bain

Kathy Bain

Rob Ravlin Pick-Up Band
Personifying some of what makes bluegrass such an attractive form, this band, some members of which had never met before Saturday and who had not had time to practice, took the stage and were a successful and delightful group to watch and listen to. Joe Singleton's marvelous and flexible voice, Donnie Perkins well-known fiddle, and Rob Ravlin's baritone singing and effectiveness on both guitar and banjo sold their show. Gary Hutchins on bass and Leslie King on mando contributed to a fine set that drew an admiring encore.

Rob Ravlin

Don Perkins

Joe Singleton

Leslie King

Gary Hutchins

The Cabin Fever Band
The Cabin Fever Band, coming from the Albany, NY area couldn't all be at the event, but they were well represented by two of their members, and other places were filled by member of Family & Friends, the Ralph family band.

Brian Jiguere

Harry Ralph

Tom Griffith

Steve Thurston

The Seth Sawyer Band
The Seth Sawyer Band, always an act in process, put forward a very good version of itself. Always featuring Seth's marvelous voice and solid rhythm guitar as well as Candi's good work on bass along with recent additions Joe Singleton, whose voice melds wonderfully with Seth's and Rob Ravlin, the band also featured Leslie King on mandolin and Donnie Perkins on fiddle. This audience knows Seth and his work well and requested his much loved songs like "Rough Edges," "Long Forgotten Dream," "Rose Colored Glasses," and "Green Mountain Girl" written for Candi.


Seth Sawyer

Candi Sawyer


Joe Singleton

Multi-Instrumentalist Rob Ravlin

Leslie King

Mike Robinson, well known throughout New England as well as at southern festivals has an active ministry to bluegrass events and to bluegrass people. Through his Sunday bluegrass gospel jams, his emcee work at many events, and his personal counseling, he provides a significant service. At this event, he sang and played a Christmas song he has written. It was a moving and effective piece.
Mike Robinson

Leigh Gibson and Friends

Leigh Gibson appeared with a pickup band consisting of Robert and Lillian Fraker. Eric, after the initial cancellation, had sent his wife and kids off to a karate event and was left at home without transportation. He was clearly devastated that he could not get to Weston. Seth Sawyer also made a guest appearance to sing his "Engineer without a Train." Leigh offered Gibson standards like "Sam Smith," "The Barn Song," and "Open Road." He concluded the evening with the most appropriate "One Raindrop."

Leigh Gibson

Robert Fraker

Linda Fraker

Seth Sawyer

Leigh Gibson

Clyde Proch and Kathy Coburn - Linda' Sister

Kathy and Margaret Coburn (Linda's Mother) and Billie






Wednesday, December 10, 2008

Fall Foto Favorites 2008 - IBMA Fan Fest Friday

This is the second of a series of posts seeking to capture the highlights of our Fall tour. During the IBMA Fan Fest, really a large, indoor festival, I was lucky enough to have Carl Jackson ask me to take pictures back stage. This gave me unusual access and opportunities to take some unusual pictures. Most of these are not images I used before, but, when I looked back at the archives for October, I found my eye seemed to pick out some of the same photos I had posted earlier. I'll let them run again, because I think they're worth a second look. Have a good time.

Ken Irwin of Rounder Records

Shawn Lane (Blue Highway)

Keith Garrett (Blue Moon Rising) and Family

Dale Ann Bradley Band

Molly Kate Cherryholmes

Sierra Hull & Cory Walker

Emory Lester & Mark Johnson

Andy Falco (Infamous Stringdusters) & Carl Jackson

The Grascals

Phil Leadbetter (Grasstowne)

Steve Dilling (IIIrd Tyme Out)

Darren Beachley (Doyle Lawson & Quicksilver)

Doyle Lawson

Carl Jackson & Tony Rice

Josh Williams (IBMA Guitar Player of the Year)

Josh Williams

Ashby Frank (Special Consensus)

Keith Sewall

One of the Bluegrass Kids

Joey Cox (Doyle Lawson & Quicksilver)

Brandon Rickman (LRB)

Ned Luberecki, Jon Weissberger, Carl Jackson, Sierra Hull & Clay Hess

Jim VanCleve (Mountain Heart)


Barry Abernathy (Mountain Heart)

Tony Rice with Mountain Heart

Charlie Sizemore

Tony Trischka's Banjo Spectacular

Ron Stewart (Dan Tyminski)

Barry Bales (Dan Tyminski) - IBMA Bass Player of the Year

Don't forget the Linda Ralph Benefit in Weston, VT on Saturday. Look for a couple more of these photo reviews as we head towards Christmas. I'll also be writing a year-end review.

Monday, December 8, 2008

Erin Gibson LaClair Show in Ellenburg, NY

The Road Heading North

Northern Adirondack Central School

Mom Gibson

Hilda Danforth - Ellenburg Kiwanis President

The Erin Gibson LaClair Band

We drove northwestward across New Hampshire, crossing into Vermont from Lebanon and continued north on I-89, through the Green Mountains, past Burlington now heading north towards the Canadian border. At Swanton we headed west through chill, grey farmland and small towns, many with empty store fronts. Lake Champlain, declared by Senator Patrick Leahy to be not a Great Lake, but a very good one, looked cold and the boats in their cradles in the village of Rouses Point were all covered in blue shrink wrap. As we continued west through Mooers and Ellenburg Depot, the sun was trying to break through. As we pulled into the parking lot of Northern Adirondack Central School, the wind increased and the snow started to fall more heavily. This is the fourth year we’ve journeyed to Ellenburg to hear Erin Gibson LaClair, accompanied by her brothers Eric and Leigh and members of the Gibson Brothers band present their Christmas show as a benefit sponsored by the local Kiwanis Club. In three of those four years, getting home has posed something of a problem. For us, this delightful, informal event signals the beginning of the Holiday season in ways that huge sales and Christmas hype simply cannot manage.
Erin Gibson LaClair

Leigh Gibson

Mike Barber

Eric Gibson

And Introducing....Joe Walsh

The Gibson Brothers have become an acclaimed national act on the bluegrass circuit. Their last four CDs have reached first place on the bluegrass charts while showing constantly increasing maturity and thoughtfulness. Their tight brother harmonies and fine instrumental work showcase the many songs Eric and Leigh have written themselves as well as their good taste in selecting music from other song writers. They also have, throughout their career, carefully selected classic songs from bluegrass and country music and seasoned them with selections turned bluegrass from their origination in early rock and roll. Sometimes bending the bluegrass format with unusual keys and rhythms, they never break the bounds of either taste or tone. Anchored in the brothers’ singing with Mike Barber’s fine bass playing, they have undergone changes on the margin, but never at the core of their sound.
Erin

Eric

Joe

Erin Gibson LaClair has chosen to stay home and be a wife, mother, and teacher. Nevertheless, she possesses a clear, pure voice that blends perfectly with her brothers and a warm, pleasant personality. In recent years, in addition to this annual event, she has appeared with her brothers at the Jenny Brook Bluegrass Festival in Vermont. For their performance with Erin, the Gibsons expand their almost patented and always light and humorous sibling rivalry to include gentle needling of their sister. The audience, having watched all three grow up, laughed with appreciation and affection as they watched the interplay. The program, in addition to few Christmas standbys, included a range of country and bluegrass music. Erin sang songs by Merle Hagard, Steve Earle, John Fogarty, John Prine, Don Gibson, and others. The selection effectively showcased her lovely voice and provided a varied and interesting program. Backed by a superb band, Erin Gibson LaClair’s program always pleases. Their rendition of The Lighthouse, a contemporary gospel tune by Ronnie Hinson, was very effective, despite Eric’s assertion they had “messed it up.”
Eric & Kelly Gibson

Kelly

During the intermission, Eric appeared on stage with his twelve year old son Kelly to play several songs featuring Kelly on mandolin. The crowd encouraged the duo with great enthusiasm. Kelly has shown remarkable improvement and has grown in poise since his debut last year. His rendition of the classic fiddle tune Soldier’s Joy was particularly effective.

Joe Walsh

Time moves on and circumstances change in the world of bluegrass bands. Rick Hayes, whose smile endeared him to Gibson Brothers fans for the past four years, has left the band to pursue his other interests more intensely without the strain of touring. He has been replaced on mandolin by Joe Walsh, a young mandolinist from Maine. Walsh, a graduate of Boston’s famed Berklee School of Music, plays a liquid and fluid style of mandolin with verve and inventiveness. Despite this being only his second appearance with the Gibsons, he fit in seamlessly. A slight, sometimes dreamy looking young man, Walsh showed great taste and lovely tone as he joined the group. We look forward with great anticipation to hearing this new version of the Gibson Brothers band, with Clayton Campbell on fiddle, at festivals and other events during the years to come.
Erin

Leigh

Mike

We emerged from the school into a blowing and increasingly cold early winter storm. We headed home, but the driving was difficult and slow. Stopping at MacDonald’s for a quick burger, Irene received a phone call from our son, Alex, in southern Vermont, telling us the weather was bad at his home. When she hung up (funny terminology to continue using in this world of cell phones. What’s a word for ending a cell phone conversation?) a young man sitting near us said, “Did I hear you say you’d just been to a Gibson Brothers concert. I’m Eric’s brother-in-law, Jim. We’ve just driven from Maine and the road conditions south and west of Burlington are terrible. The road’s littered with cars and trucks.” He was returning to his U.S. Customs job in Montreal and had already been on the road for many hours with his wife and young child. We decided to stop for the night in a motel near Burlington. Sometimes such seeming coincidences give you real pause for thought, especially coming at this beginning of the season precious to so many as a new dawn for mankind.


Wednesday, December 3, 2008

Linda Ralph Benefit at Weston Playhouse - VT

Linda Ralph

Linda Ralph and her husband Butch are well known throughout New England and northern New York. As proprietors of Danby Four Corners Store and vendors at bluegrass festivals throughout the region, they sell and service fine instruments with grace and friendliness. They also perform at festivals in a classic country and bluegrass band composed of their Family & Friends and featuring many songs written by Linda. Their son Harry IV is a fine fiddler with regional band Cabin Fever. With quiet dignity they have represented Martin guitars and Gibson instruments at fair prices and provided excellent and reasonable service at festivals and in their picturesque rural store. Now Linda has been diagnosed with pancreatic cancer. A benefit to assist her and her family meet their medical expenses is being held on Saturday, December 13 at the Weston Playhouse in Weston, VT.

Danby, Vermont


Danby Four Corners Store

Danby Four Corners Festival Booth

The Gibson Brothers
Leigh Gibson
Eric Gibson

Mike Barber

Performers at the benefit will be led by the Gibson Brothers, Leigh and Eric along with their long-time bass player Mike Barber. In addition, Cabin Fever, the band from Latham,NY near Albany, in which young Harry Ralph plays and Acoustic Blue a first rate band from New England and The Seth Sawyer Band from Vermont will all perform. A number of items will be raffled off at the benefit, led by an Employee Night Shift Martin Guitar donated by Steve Thurston, and including pairs of tickets to Grey Fox, Podunk, Jenny Brook, Norwich, Brandon, Bluegrass in Greenville, Upper Hudson, Danby, Lake Champlain, and Pemi Valley festivals and tickets to the Claire Lynch Show coming up in Hartford. Tickets can be purchased on-line at the Jenny Brook Bluegrass Festival site where there is also further information. People not able to attend this event can mail donations to Linda Ralph, c/o Fernan Parker.363 Piper Hill Rd., Weston, VT 05161. Raffle tickets may be purchased on line. Tickets cost $15.00 or $5.00 for children 12 and under.

Cabin Fever


Mike Tirella
Brian Jiguerre

Harry Ralph

Acoustic Blue

Bear Acker
Cory Zink & Mike VanAlstyne
Shaun Batho

Seth Sawyer Band
Seth Sawyer
Candi Sawyer
Rob Ravlin

Mathew & Adam Sawyer

The necessity for this benefit sadly highlights the plight of bluegrass musicians who provide so much entertainment for so many but still can’t afford to provide themselves with adequate medical insurance to meet their needs in times of illness. This event offers an opportunity to hear great bluegrass music donated by four bands and to contribute generously to a most worthwhile cause.

Martin Night Shift Guitar (raffle)


Butch & Linda Ralph

Linda