The setting of the Otis Mountain Festival could not be any more beautiful. The band stand sits at the base of a gentle ski hill which slopes upward and away to form a natural amphitheater. There is plenty of room for people to see the bands and, I understand, an area has been set aside to permit dancing without interfering with viewing and listening. In the past, this festival has featured excellent food venders featuring offerings several cuts above the usual fair food served at bluegrass and music festivals. There is rough camping available and good transportation from the rather remote parking areas and the festival site. Allot has gone to great lengths to make this event one in which there has been extensive community involvement, and, in its 2005 version, succeeded admirably. Last year he changed the date to conflict with another New York State festival, which we chose to attend. This year he has again chosen a new date. I thought the weekend after Labor Day was a great date to hold a festival, but apparently it didn’t draw sufficient crowds, and it was chilly at night. Perhaps finding a regular date and keeping it would be a good way to build the festival audience.
Sam Bush is one of the most important influences in bluegrass music since its invention by Bill Monroe. With the establishment of The New Grass Revival in 1971, bluegrass opened itself to the new sounds coming from Rock and Roll bringing new sounds, rhythms, and themes into the acoustic music Monroe had pioneered and whose influence continues to dominate the genre. In his history of bluegrass, Neil V. Rosenberg points out that the musicians have always been out ahead of the fans of bluegrass music in their willingness to explore new approaches to the music. For more than 35 years, Sam Bush has been in the lead. He has introduced electric instruments and drums to the genre without ever bending it too far from its roots. His mandolin and fiddle playing are extraordinary. His current band, with Scott Vestal on banjo, Byron House on bass, Chris Brown on Drums, and Stephen Mougin on guitar continues in the tradition Bush has established, but the band is really Sam Bush. The list of performers Bush has played with forms a who’s who of bluegrass and country music greats.
While the Sam Bush Band represents the genesis and progress of modern bluegrass music, The Infamous Stringdusters stand for the state of the art. Composed of a group of players, several of whom studied at the famed Berklee School of Music in Boston, this fast rising group has taken the country by storm during the past eighteen months. I have written about their debut album “Fork in the Road” here. They still need to establish a solid record of ongoing accomplishment, but this first recording is better than a good start. Otis Mountain gives listeners one of their last chances to hear and see the original band, as brilliant flat-picking guitarist Chris Eldridge is leaving the band to join Chris Thile. Eldridge represents a link between the past and the future. He’s the son of Ben Eldridge, an original and continuing member of The Seldom Scene, who is acknowledged as a master of innovation on the banjo. Chris Eldridge appears to be in some other world as his wonderful solos and oh-so-solid rhythm guitar contribute mightily to the Stringdusters’ drive and style. Banjo player Chris Pandolfi is the first banjo graduate of the Berklee School of Music, perhaps the premier school for contemporary jazz, rock, and pop musicians today. Jeremy Garrett on fiddle comes from Idaho where he was a member of his father’s band The Grasshoppers, and he studied at South Plains College in Texas, where there is a well-known bluegrass program. Garrett sings lead and plays fiddle. Jesse Cobb, on mandolin, also comes from a family of bluegrass musicians. Andy Hall on Dobro and providing lead vocals is also a graduate of Berklee, where he majored in Music Production and Engineering. Finally, Travis Book, the newest member of the band on bass, comes from Colorado, where he was recognized for his playing as well as his lead singing. This band came together after all its members had moved to Nashville and established themselves with a variety of touring bands as well as studio musicians. Their collaboration grew out of jamming in the rich Nashville scene and his matured as they formed the Stringdusters and have worked to forge a distinctive sound and style. As a band they are still maturing and should provide years of delightful surprises to thoughtful and informed listeners.
As might be expected with two such budget busting bands, the remainder of the lineup emphasizes either bands you haven’t heard of or local/regional bands that don’t have to travel too far or demand too much to appear. This does not, however, mean you won’t find something worth listening to. Big Spike, acting as host band this weekend, comes from Vermont and seeks to recreate the sounds of bluegrass and country music as it existed at about the time bluegrass began to distinguish itself as a sub-genre within the country music rubric. According to their web site “The band aims to recreate a sound that is long gone from country music, a sound closer to the honky-tonk and early bluegrass sound of the 50's than it is to what's played in Nashville today.” They are justly familiar to bluegrass fans around New York and New England.
Similarly, The New England Bluegrass Band, while best known in its namesake region, consists of excellent musicians presenting music in mostly traditional formats. They have recently been joined by Ashleigh Caudill, a new graduate of Berklee School of Music on bass and vocals. Joe Walsh, new mandolin player for the group, is also a student at Berklee. Since the Infamous Stringdusters are on the bill here, I wouldn’t be too surprised to see Chris Pandolfi sitting in with the group, too. Lincoln Myers, Ron Cody, and Cecil Abels are long term members of this excellent bluegrass band. All the members have experiences that cross genres and also have considerable range within bluegrass. You can expect first class sets from this band on Saturday.
Three Doug Knight is a local bluegrass band that provides very satisfactory covers of bluegrass standards as well amusing songs written by guitar player Speedy Arnold. They will provide more than satisfactory sets on both Friday and Saturday. For me, Wild By Nature, Greenwich Mean Time, and Crossing North are unknown quantities. You can find a little more information on Greenwich Mean Time here at their MySpace entry. They provide a couple of cuts from their catalog. Their blurb seems determined not to provide any useful information about them except that they come from Olympia, WA. Crossing North is a duo based in Plattsburgh, NY. You can hear some of their cuts here.
Tickets to the Otis Mtn. Music Festival are $24 advance until August 18th and then $29 at the gate. The Festival map can be found here. This eclectic festival looks like a really good bet. Between two great national bands, some pretty well-known regional bands, and some new experiences, you won’t be wasting your time.