Henry Chang's Death Money (ShHo
Crime, 2014, 225 pages, $25.00) is a police procedural with a
difference. Set in the, to most people, mysterious, even alien,
nether world of the Chinese immigrant community in New York City, the
story follows Detective Jack Yu, as he investigates the murder of a
young Asian man found hung up on a tangle of branches in the middle
of the East River on a cold January night. Jack Yu, referred to as
Jack throughout the narrative, is called in to follow up on the
mysterious death because he is Chinese, and stereotypically
well-equipped to undertake the investigation. Throughout the
fast-paced narrative, there always lies an undertone of racial
awarenss and conflict between the Chinese detective and other
elements of the police force in both their dealing with him and with
the Chinese (and broader Asian) community. Although this is the
fourth in a series of novels,
reading the previous books is not necessary for the enjoyment or
understanding of Death Money.
Having been
assigned the investigation of the mysterious death of a hard to even
identify Asian man, Jack must seek to place him before trying to find
his killers. His search takes him into the depths of Chinatown in
Manhattan as well as satellite Asian communities in Brooklyn and
Queens which only exist in mythology for casual visitors who journey
into Chinese neighborhoods to get better (and/or more authentic)
Chinese food than might be available at suburban strip malls. The
world of illegal immigrants smuggled into the U.S. through Canadian
access or directly from Hong Kong or the mainland and a Chinese
underworld with direct connections to mainland China and around the
world (think of a Chinese mafia with hundreds of years of tradition
behind it and a more impenetrable language for western ears and
eyes) is brought to life. Add to this the gang rivalries of different family groups and
gangs that continue to exist on a worldwide scale, both criminal and
financial. Jack is caught between the Chinese suspicion of his having
become a cop, police racism, and corrupt power relationships that
lead to his being warned off by Internal Affairs after a powerful
Chinese family complains of harassment.
Chang keeps the
story moving along while giving it a high degree of verisimilitude by
providing lots of Chinese words, particularly for food and insults,
with immediate translations. He populates Death Money with
lots of interesting characters including an aging Chinese psychic, a
hipster informant, three Mexican workers, and a multi-generation
family which has taken the American success route from degraded
immigrants to successful (and marginally legal) business people, to
vicious gangsters in three generations. As Jack closes in on the
killer, his world becomes increasingly dangerous. I was impressed by
the touching points between descriptions of the lives and power
interactions explored in this novel and the same issues as described
it Matt Taibbi's recent book The Divide, which I reviewed a
couple of weeks ago. Making these connections gives Death Money
an added weight I had not expected.
Henry Chang
Henry Chang is a New Yorker, a native
son of Chinatown and the Lower East Side. His poems have appeared in
the seminal Yellow Pearl anthology, and in Gangs In New York’s
Chinatown. He has written for Bridge Magazine, and his fiction has
appeared in On A Bed Of Rice and in the NuyorAsian Anthology. His
debut novel Chinatown Beat garnered high praise from the New York
Times Book Review, the Boston Globe, the Washington Post, among
others. Henry
Chang is a graduate of CCNY (City College of New York). He has been a
lighting consultant, and a Security Director for major hotels,
commercial properties, and retail businesses in Manhattan.
Henry Chang's DeathMoney (SoHo Crime, 2014, 225 pages, $25.00) is a quick read, but
turns out to be both a novel with excellent narrative drive and
thought provoking about ethnic relationships in the powerful and
mysterious world of the Asian communities of New York. I intend to read backward in this intriguing series of detective novels. Death Money
was provided to me as an electronic download by the publisher through
Edelweiss. I read in on my Kindle.
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