Faster and Farther is
a collection filled with feelings of faith, love, and loss.
When you listen to a song or an album by Darin and Brooke Aldridge,
you know that you won't be bombarded with discord, that there's
always hope, that life is temporary, but true love eternal. You know
that you'll be transported by Brooke's singing along with Darin's
close harmony and masterful musicianship, as well his voice. There
also won't be any surprises. Darin & Brooke can be counted on for
heartfelt vocals, fine singing and an uplifting message with
particular appeal to people of faith. In Faster and Farther,
they have brought together a group of fine songs along with some
stellar guests to produce what will be seen as one of their finest
efforts.
This
studio album features Shadd Cobb on fiddle, Colin Willis on Dobro,
Tyler Collins on Dobro and banjo, and Tim Surrett, of Balsam Range,
on bass along with Barry Bales. Meanwhile, John Cowan plays electric
bass on some songs as well as the band's touring fiddler contributing
Carley Arrowood on one. Pat Flynn lends his guitar pyrotechnics on a
couple of songs. The mixture of vocal and instrumental textures
testifies to Darin's musical imagination, as each song becomes a
fully rounded creation.
In Faster and Farther
Darin and Brooke have brought together some of country and bluegrass
music's finest contemporary song writers, such as Carl Jackson, Lisa
Shafer, Jerry Salley, Dennis Duff, Janee Fleenor and Darrell Scott,
to create magical environments. Performing guests like John Cowan,
with whom they have been touring for the past eighteen months or so
when he's on hiatus from The Doobie Brothers, fellow New
Grass Revival veteran Pat Flynn,
and country great Vince Gill all add vocal color to the duo's always
fine singing.
“Kingdom Come” hits the opening
hard with a Pat Flynn song reminiscent of New Grass Revival, its hard
driving sound complimented by John Cowan's vocal harmony. The song
has a driving beat with a gospel message. The power of the opening
song will keep people listening and may become be the song that gets
the most airplay.
Grammy winner Carl Jackson and Jimmy
Rushing penned “Fit for a King,” a story song about a street
corner evangelist who knows that “the rags I'm wearing will be fit
for a King” suggesting the value of a person does not lie in how
they look or their worldly circumstances, but the faith they bring to
their lives. Drivers passing by may dismiss him as an unbalanced
street person, but he willingly shares his faith with all, assured of
his destination. Charli Robertson of Flatt Lonesome chimes in with
some good harmony.
Carl Jackson's “Eugene and
Diane is a love song about the inability to communicate. Social class
separates rich girl Diane from itinerant musician Eugene, who was
“just a rung below the ladder of what she thought mattered more,”
so she never communicated her feelings for him nor he for her.
People who never tell each other how they feel risk losing their
chance to cross the gulf separating them to find what really matters.
The evocative song reminds the listener to reach out when real
feeling comes along, leading to “the story of a love that should
have been.” Each of them lives a life of regret for not having
spoken their love for each other, for having missed the crucial
moment.
“Highway
of Heartache” is another Jackson/Rushing song focusing on loss and
sadness. “It's a highway of heartaches, woe is me that I must go,”
Brooke sings. The Dobro solo played by Colin Willis and Shad Cobb's
fiddle blend perfectly with Vince Gill's guest slot singing vocal
harmony to make the trio a perfect complement to Brooke's lead. The
highway of life isn't always an easy road to travel, especially in
the face of loss.
“This
River,” written by John Cowan and Donny Lowery, suggests the “river
of life” which can change each person as life keeps flowing along
to join the great ocean beyond. The currrent takes us where it will,
in heart and soul. The soulful fiddle plays above Darin's lead with
Brooke and John Cowan's restrained, but always helpful, harmony. “The
healing waters, how to save my soul” is a feminine force flowing
through life.
“Someday
Soon” by Ian Tyson presents a story song set in Colorado, a sixties
folk song reminiscent of Vietnam era's search for meaning of life.
Written in 1964 and recorded by Judy Collins, Moe Bandy, and Suzy
Bogus, among others, this song touches lots of the right buttons. The
simple rendition keeps the focus on Brooke's lovely, supple voice
with strong, haunting fiddle support. Darrin's clean guitar solo
echoes the tune without frills or over-elaboration.
The
writing team of Lisa Shafer and Dennis Duff have written some of
Darin and Brooke's most evocative tunes throughout the duo's career
including “I Thought I'd Seen it All” and “Corn.” The writing
duo is joined by fiddler/writer Jannee Fleenor on Faster
and Farther to write “Mountains of
Mississippi,” a worthy successor to these earlier songs. The irony
of mountains in Mississippi, a state dominated by the flat as a
pancake delta is unmistakeable. Brooke's voice captures the
metaphorical mountains erected by love, where heartbreak, loneliness,
and lost love bring Colorado's cold granite mountains to anywhere.
Vince Gill, a longtime model and friend of Darin's, contributes a
harmony turn adding depth to the trio.
“Lila” showcases both John Cowan's
remarkable tenor voice, as strong as ever after over forty years of
performing, and Brooke's ability to blend with other voices to create
melodic magic. Darin and John trade leads as the song examines loss
that won't be filled. Pat Flynn wrote this one with Cowan, telling
the story of “the love I have for you deep inside of me” lost
between them but still burning.
“Baby, what started then hasn't
stopped yet.” shows gratitude for the small tokens of love like
“daisies in a mason jar” which mean so much, “The least little
thing you do out of love,” transports the singer to a higher plain.
“The Falling” takes place “faster and farther, which became the
title of the album. “Still Falling” is another fine contribution
from Shafer and Duff to the Aldridge catalog. The song does raise the
question, for me, of why are strengthening feelings are referred to
as “falling.”
Brooke's voice fills any song she takes
on with conviction and honesty, as her voice simply can't be missed
reaching out to touch the spirit. In the traditional gospel song
“Sacred Lamb,” she does it again with passion and conviction.
Carley Arrowood plays fiddle on this one with Dwayne Anderson on
bass.
Written by John Cowan with master
songwriter Darrell Scott, “Cumberland Plateau” becomes a metaphor
calling for a return to basic values developed at home in the
country. The call to a different life often demands we leave home for
another life, but the call of home, the Cumberland Plateau in this
song, keeps calling as our roots are always calling and always
supporting us.
“Heaven Just Got Sweeter for You”
written by Jerry Salley and Diane Wilkinson highlights the redemptive
quality of loss, which becomes easier when losing someone to death is
made less painful because the lost one was a believer and we'll be
joined again in the end. “God's promise that death is never the
end” makes personal loss bearable.
Darin & Brooke Aldridge
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