Wiley
Cash’s new novel The
Last Ballad
(William
Morrow, 2017, 389 pages, $26.99/$12.99) tells the story of the
largely failed 1929 strike at the Loray Mill in Gastonia, North
Carolina through the eyes of Ella May Wiggins, who became a heroine
of the American labor movement after her death. Narrated as a
detailed flashback by her grand daughter, and seen through the eyes
of a number of fictional or fictionalized characters, whose
lives in various elements of society brought them together at the
mill during this fateful period of industrial vs. labor strife as
well as during the beginnings of the civil rights struggle in its
nascent years. Told
in leisurely,
often poetic, prose, Cash takes his time in revealing these
stories as the roots of contemporary North Carolina, where
the rifts still affect not only the local elements of this
geographically
and culturally crucial
state, but the nation as a whole.
As
Ella Mae sits in the back of a pickup truck with Pittsburgh-based
labor organizer Sophia, her
life history from Tennessee subsistence farming, to logging camps, to
working in the mills mirrors the early history of North Carolina’s
southern Piedmont as it moved from mid-nineteenth century rural
bootlegging to an area using the region’s
resources of running water,
cotton, and available labor to build a burgeoning mill industry. The
growth of mill culture as rural people heard the empty promises of
recruiters offering the secure life of mill villages where, in fact,
grinding poverty and constant debt kept them indentured in a manner
not too different from the
slaves, who had been released from
bondage only a few decades
before, using Gaston County, NC at the center.
Based
on the actual happenings at the Loray Mill strike of 1929,
representing an elemental moment in the development of the American
labor movement, the story is intriguing, nuanced, and lyrically told
through the eyes of a variety of participants. The novel brings to
life the non-fiction book Linthead
Stomp
by Patrick
Huber, which describes life and music in the mill towns of the early
twentieth century. The
strike
and
riots soon
inspired a series of novels,
now referred to as the “Gastonia Novels,” which extolled the
virtues of class struggle and left wing politics.
Ella Mae Wiggins
As
the story, told in vignettes from the perspective of people coming in
contact with Ella May Wiggins unwinds, Cash captures the spirit of
rural Gaston County, the rise of the mills, the influences on the
development of the mill culture as the insatiable need for thread and
cloth in rapidly
industrializing America is
fulfilled against the poverty of white and black workers. Names like
evangelist Amy Semple McPherson, Belmont Abbey College, and towns
like Lincolnton, Cherryville, Spartanburg, leading to Gastonia give
the setting of labor unrest, the communist menace portrayed
during the red scare,
incipient deep-seated racial animus, and the fight against grinding
poverty a living sense of reality. These
elements come together in the
struggle between the mill owners, their hired thugs, and the northern
agitators eager to organize, free, and exploit the workers in a
toxic, and ultimately tragic mix. Cash’s
rich, lyrical language combines with lively portrayal of the
characters who emerge to create a story that touches the imagination
while portraying a reality built on facts and extending beyond them.
In
two families, the McAdams and the Lytles, Cash describes another
aspect of the duality of North Carolina’s aristocracy, pitting the
lowland remnants of ante-bellum aristocracy against the post-war
growth sparked by the industrialization of the South. Contrasting
these two cultures of wealth and privilege to the white and black
poverty of workers, Cash creates a rich soup of tension, distrust,
and fear. Into this mix, racial, social, and economic politics help
create a friction that still can be seen in the mystery that North
Carolina presents to the country and the world. Slowly the lives of
the characters cross and merge as the coming tragedy begins to take
shape. The structure of the novel features a large range of
characters from different walks of life – worker, factory owner,
labor organizer, plantation owner, railroad porter, and others -
whose lives come together in Gastonia, NC in the summer and fall of
1929.
Wiley Cash
Wiley
Cash is the award-winning and New
York Times
bestselling
author of A
Land More Kind Than Home.
A native of North Carolina, he has held residency positions at Yaddo
and The MacDowell Colony and teaches in the low-residency MFA program
at Southern New Hampshire University. He and his wife live in
Wilmington, North Carolina.
In
The
Last Ballad
(William
Morrow, 2017, 389 pages, $26.99/$12.99), Wiley Cash
shows the ability to take characters who might easily become
stereotyped, flesh them out, bring them to life, and place them in
settings where their intersection with the other characters becomes
believable while taking on a life of their own, leading inevitably to
the playing
out
of The
Last Ballad.
While
the story is a tragic one, it nevertheless points to a hopeful time
where both conditions and relationships are improved, while the deep
history of these events continues to influence the present. I was
provided a digital edition of The
Last Ballad
by the publisher through Edelweiss and read it on my Kindle app.
Highly
recommended!
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