Deadly Harvest
(Harper Collins, 2013, 496 pages, Paperbound, $14.99) by Michael
Stanley, a pen name for South African authors Michael Sears and
Stanley Trollip, is the fourth in the fine series of detetective
fiction focued on Detective David “Kubu” Bengu, Assistant
Superintendent in the Criminal Investigation Division of the Botswana
Police Department. The story is a gripping and grisly tale of murder
and political corruption within the conflict between traditional and
contemporary lifestyles in Botswana, an emerging African nation on
the northern border of South Africa. The current novel introduces a
new continuing character, Samantha Khama, a young woman detective who
seeks to break through the entrenched male dominance in the police
department. Samantha adds a new dimension to the Detective Kubu
series as she becomes his protegรจ.
Set
in Botswana, a largely rural country dominated by the Kalahari
desert, which is a rapidly modernizing country just north of South
Africa enriched by enourmous diamond deposits, the story follows
Kubu, hippopotomous in Setswana, as he seeks to solve the possible
abduction of several young girls as well as the murder of Bill
Muromo, a populist candidate for the national parliament in a local
by election. It also seems that the children are being abducted to
provde body parts for a witch doctor to make muti,
evil magic potions to strengthem various characteristics people wish
to enhance. When a gourd of muti
is
found in Bill Muromo's desk after his assassination, the plot takes
strange twists suggesting a relationship between the political and
the magical.
In
the tradition of Tony Hillerman, who through a series of eighteen
detective novels featuring his characters Joe Leaphorn and Jim Chee,
depicted the struggles between traditional Navajo life in the
American southwest and modern incursions on it, Stanley's characters
bridge the gulf between traditional tribal life and modern medical
and scientific knowledge. While the writing duo who call themselves
Michael Stanley are not as effective as Hillerman in evoking the
sound and feel of traditional life, perhaps because they are less
immersed in it than Hillerman was, their stories are, nevertheless,
effective portraits of an emerging, modern nation in Africa and the
power still maintained by traditional magical arts, both benign and
evil. Detective Kubu, a man of huge appetites to go with his gross
body, is both smart and modern while understanding traditional
viewpoints because his aging father is a traditional healer and his
village childhood. Various other characters in Deadly
Harvest
are more or less modern in their outlook. Some scoff at the
traditional arts while both fearing and using them for their own
purposes. Others understand the psychological aspects making such
magic effective, while sometimes experiencing atavistic feelings that
suggest their fear that such magic is real. As Kubu's new colleague,
Samantha, learns the ropes and becomes a more effective detective,
she discovers that the veneer of her higher education may not be as
thick as she thinks it is. As she learns, the hard edged chip on her
shoulder eases and she becomes a better investigator.
The
character of David “Kubu” Bengu is sufficiently complex to be
interesting. His large size and sophisticated pallette, particularly
his taste for European food and fine wines, establishes his
modernity. He solves his crimes through careful analysis and is
always reluctant to jump to conclusions, finding increasingly
difficult to piece togther strands which he solves more by
thoughtfulness than by physical prowess. Working in a political
system, he remains ambitious while unwilling to trample others in his
desire to advance. He's a loving husband, father, and son as well as
a good listener who gets the most from his subordinates while making
his supervisors better policemen, too. He doesn't “wow” a reader
with his resourcefulness and quick action. Rather, he earns respect
and affection. qualities I think may draw readers to him through many
further novels.
The
Kubu series by Michael Stanley also serves as a primer for western
people unfamiliar with Africa and Africans about the advances and
difficulties of moving into the modern world. Botswana is pictured as
an emerging nation practicing democracy while at the same time
saddled with the remains of an older culture based on witchcraft and
mystery growing from the animism that undergirded much of religion
throughout the world and lasted longer in Africa than in other areas.
By attributing desireable characteristics to imbibing their essence,
various elements, including human consumption become necessary for
health, wealth, professional advancement, and happiness in the eyes
of the less educated, but holding subconscious influence on even
those who have consciously given up superstition. The clash of
older, more traditional societies with an emerging consciousness of
science and human worth underly both of the Kubu mysteries I've
reviewed.
Michael Stanley
Michael Sears & StaleyTrollip
Michael Stanley is the writing team of Michael Sears and Stanley Trollip. Both are retired professors who have worked in academia and business. Sears is a mathematician, specializing in geological remote sensing. Trollip is an educational psychologist, specializing in the application of computers to teaching and learning, and a pilot. They were both born in South Africa, although much of their professional lives have been spent in the U.S.
Michael
Stanley (South African authors Michael Sears and Stanley Trollip) has
written an enjoyable detective novel that teaches as it entertains,
without challenging the reader excessively. What more could a reader
ask for? Deadly Havest by Michael Stanley (Harper Collins,
2013 496 Pages in trade paperback) is an excellent diversion as well
as a thought provoking read. I read it as a digital download from the
publisher on my Kindle through Edelweiss.
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