Thirty Girls by
Susan Minot (Knopf/Random House, 2014, 320 pages, $26.95) tells the
searing story of two women caught up in the horror and pain of the
abductions and rape of nearly countless children in Uganda and Sudan
by Joseph Kony's Lord's Resistance Army. The novel, based on fact and
loosely tied to the stories of real children abducted by Kony's
senseless.uprising based on his insane understanding, seeks to
explore the realities of the contrasting worlds of white wealth and
privilege in Africa against the pain and suffering inflicted upon
African children by Kony. Using Jane Wood, an American writer nearing
the age of forty who is in search of a story and defines herself by
her self-agonizing love life and Esther Aboke, a sixteen year old
girl who is abducted by Kony's “soldiers” and forced to walk,
seemingly forever, through the wild's of northern Uganda and Sudan
while she endures unspeakable torture and degredation, Minot seeks to
understand and portray some of the breadth of women's experience. The
novel is not for the weak of stomach or faint of heart, but remains a
compelling and insightful look into a wartorn countryside where no
one is immune to its horrors.
Using
shifting points of view, Minot spins out her story of horror and
death within the beauty and desolation of the African setting. Her
somewhat detached descriptions of the countryside and life in Kenya
and Uganda capture its beauty and danger in equal parts, each,
perhaps, contributing to the appeal of the other. Esther begins her
story after she has escaped the KLR and is being helped to come to
terms with her experiences while living at Keryandongo Rehabilitation
Center in Uganda. She is deeply scarred by what she has seen and
experienced over the previous months, and perhaps years, as she has
been forced to participate in the torture and killing of others while
submitting to rape and the loss of her child, always living in
hunger, fear, and with the everpresent threat of AIDS or violent
death herself. Her story emerges from deeply internalized self-hatred
as she begins to come to terms with her experience.
Jane
Wood has come to Africa, having heard of the well-publicized
abduction of 139 children, most of whom are rescued early in the
novel through the efforts of Sister Giulia, a nun from the school
where the girls were living. She manages to get 100 of them freed by
agreeing to leave thirty of them behind. This is the source of the
novel's title and the dilemma creating much of the book's tension.
Jane early on falls in with a group of aimless, wealthy Kenyans who
engage in an empty, seemingly mindless movable party. She falls in
love with Harry, a paraglider nearly twenty years her junior, who is
both delightful and infuriating in his lack of direction. Much of
Jane's experience is filtered through her search for a lasting
connection to someone she can love. Several of this group's members
agree to accompany Jane on her quest for the story of the Lord's
Resistance Army and the abducted girls. This setup, presented in
liesurely and often stunning prose, leads to a journey that will
bring the two women together while revealing each of their riveting
stories.
This
novel forces the reader to examine the truth and facts of life's
horror on a continent suffering from the remains of colonialism.
Esther, in her silence, asks, “How can one ever tell a story so
full of shame.” While Jane wonders, while in Harry's arms, “Did
one ever get to a place where longing vanished,” as she seeks peace
in an impossible relationship. The journey through the bush from
Nairobi, Kenya, to Kampala, the capitol of Uganda, permits the reader
to experience beauty and desolation, caring and torture, love and
loss. They travel to the relocation camp, where the group meets some
of the girls and experiences first hand their pain. Along the way,
Minot introduces the reader to the world of non-governmental
organizations (NGO's) each seeking to alleviate pain, poverty, and
disease while funneling money to accomplish this from the developed
nations of Europe and America. The novel powerfully leads the reader
through the facts of this life to an understanding of the almost
unbearable truth of its victims. One of the central burdens of any
novel is to illuminate “truth” through imagining facts and
bringing them to a reality that reports, position papers, and filmed
advertisements to support the NGO's can only hint at. In the beauty
of Minot's writing, the truth of human an element of human existance
and loss is found.
Susan Minot
Susan Minot is an award-winning
novelist and short story writer whose books include Monkeys,
Folly, Lust
& Other Stories, and
Evening, which was
adapted into the feature film of the same name starring Meryl Streep.
Minot was born in Boston and raised in Manchester-by-the-Sea,
Massachusetts, attended Brown University, and received her MFA in
creative writing from Columbia University. She currently lives with
her daughter in both New York City and an island off the coast of
Maine. A fine profile in Elle
Magazine says, “Desire and its sometimes obliterating
consequences are a productive obsession that snakes through all of
her fiction."
ThirtyGirls by Susan Minot (Knopf/Random House, 2014, 320 pages, $26.95) tells the harrowing stories of two women's search for some sort of peace and comfort in the face of chilling loss and pain for each of them. How they discover themselves and give meaning to their own experience forms the core of this demanding and engaging novel. Using poetic descriptive language and placing the beauty of Africa as seen from afar (perhaps through the distance provided by the aerial view of a paraglider) in contrast to the human cost of madness, poverty, and senseless murder, Minot creates a world that punishes as it enlightens. Thirty Girls is not light reading, but draws a reader onward while creating a believable and often horrifying portrait of a changing world. The book was provided to me as an electronic galley by the publisher through Edelweiss. I read it on my Kindle.
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