Pacific
by Tom Drury (Grove/Atlantic, 2013, 208 pages, $25.00) set in the
chilly world of rural Minnesota and the warm, loosy goosey world of
Southern California is held together by fourteen year old Micah
Darling who moves from living with his small time crook father Tiny
Darling and his partner to California, where his mother Joan has
become a minor television star and film actress. The novel follows
the aimless lives of too many characters to keep straight as they
seek meaning and connection to others in their lives. The book is
written from a distance, as in a dream, observed from above through a
haze of marijuana, alcohol, and loss of direction and meaning.
Apparently, the characters in Pacific
represent a return to a novel published twenty years ago, The
End of Vandalism.
Joan
has decided she wants to reunite with her son Micah, whom she has
left some years earlier to pursue a career in acting, which has been
mildly successful. Micah makes the transition to California with
relative ease, meets two girls, Thea and Charlotte, who befriend him
and introduce him to the hedonistic world of teenagers in the world
of Hollywood. All three become friends, although Micah is ineluctably
drawn to the self-destructive Charlotte. Joan, meanwhile, wins a role
in a fantasy about the ghost of Davy Crockett on the casting couch
before entering too easily into an affair with the screen writer,
ruining her marriage. Micah drifts through life, as do the other
characters.
Meanwhile,
back in Minnesota, a former Sherrie, an antique forger, a mad woman
who fancies herself a Celtic warrior/mystic, an antique dealer and
other mismatched characters continue to miss connections which only
very gradually make sense as a crime becomes clear. Perhaps the
problem here lies in too many characters not carefully enough
delineated keep this slim volume confusing, disconnected. The
characters in both settings live in a world where people are looking
for connections, often in a haze of sex and drugs, and missing. The
narrative retains an abstracted distance from the characters who seem
almost in a dream world where they collide without connecting. I
finally tried to track the connections by charting them, but this
didn't even really help enough. Perhaps the book stands as a parable
for modern life in which people touch without connecting. The
contrast between Stone City in the Midwest, where life is hard, cold,
unforgiving, Midwestern and Southern California's warm, sun-drenched
easy life only reinforces the human difficulty of making connections.
Tom Drury
Although
Drury successfully creates a haunting, lost tone to this re-imagining
of characters created two decades ago, the novel is ultimately
unsatisfying in its efforts to explore and contrast a variety of only
lightly illuminated people. Tom Drury's Pacific
is published by Grove/Atlantic (2013, 208 pages, $25.00) was made
available to me in a digital pre-publication galley by Edelweiss.
From your bio, it's very clear that you are not the correct demographic for novels like this. Perhaps you should stick to republican-flavored revisionist history or books by Nathaniel Hawthorne.
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