How many novels over time have explored
the tortured lives of people living on the Upper East Side of
Manhattan after graduating from Phillips Exeter Academy and Yale
University into a world of privilege, wealth, and pain? &Sons, a second novel by Robert Gilbert joins this parade with an
absorbing portrait of the trials and tribulations of such a tortured
family. Sarcasm aside, & Sons by David Gilbert (Random
House, July 2013, $27.00, 464 pages) tells the harrowing and often
gripping story of a family which is a victim of its own success. A
father, A.N. Dyer, who has published fourteen novels to great
recognition and financial success and his three sons, each challenged
and tortured by the elusive success of his father and the search for
self in that relationship are the main characters. The story is told by Phillip Topping, the
son of Dyer's best friend since childhood, who is a contemporary of
Andrew Dyers' sons. The book's title, & Sons, is a pun on
the the name of Dyer's most
successful novel, Ampersand,
a coming of age novel set at Phillips Exeter Academy in the 1950's
and compared frequently by fictional critics to coming of age works such as A
Catcher in the Rye and A
Separate Piece.
The novel,
bookended by two funerals, opens with Andrew Dyer seated in the posh
Episcopal parish of his youth, trying to decide what to say at Charlie Topping's. his
best friend, funeral. Meanwhile, Dyer's son Andy, of a
woman other than his former wife Isabel, waits outside for a sought
after assignation and misses his father's eulogy. Philip Topping,
always in the background or on the fringes, comments, “Fathers seem
to start as gods and end as myths and in between whatever human form
they take can be calamitous for their sons.” Phillip's observation
sums up the problems the novel presents as we meet Andrew's sons
Richard, Jamie, and Andy. Each has talent, ability, and a certain
familial charm as well as his father's iconic last name, which serves
to open doors and place barriers in his way. Failing to deliver his
eulogy, Andrew is helped home and calls his sons together from around
the nation for a crucial last family get together.
The three sons
are each struggling with the demons that accompany being the
offspring of a famous and accomplished father. They have all followed
their father to Exeter Academy, which carries it's own burden of
excellence and fame, and found the association to be excruciating.
Richard, the oldest, has moved to California to escape his drug
addiction and become a drug counselor with a wife and two children and
a secret desire to become a writer himself. Jamie, the second son,
has become a maker of rather strange, but admired, documentary films
and is currently engaged on a new project involving a dying lover.
Young Andrew, only seventeen and born of a different mother than the
other two, is struggling at school and with his desire to grow up and
become a person on his own. “Your single moment of weakness wears
diapers,” may encapsulate much of the novel in a single sentence.
The novel asks the question, among others, of how does attending
Buckley School (a social pre prep school in Manhattan), Exeter, and
Yale lead to a real life of search to equal what one is born into?
The novel constantly quotes passages from the father's novel which
find analogous experiences in the lives of his sons. The senior
Andrew Dyer's masterpiece novel Ampersand
dominates the lives and consciousnesses of the three sons as they
return to New York to with their dying (and newly needy) father.
It
may be that that the sons of the counter culture of the 60's and 70's
are gaining sufficient perspective on their raising and the way they
were parented to exact their revenge in the novels of the early
twenty-first century. An extended segment from the novel Ampersand
foreshadows the man Andrew has become and Andy might be. A set piece book release party at the Frick Museum, across the street from Andrew's
apartment, is a classic of ironic yet worshipful satire of a novel
release party where the rich and the talented mix and preen. It is
both howlingly funny and ultimately tragic, which could be said of
much of & Sons.
Sandwiched between the two funerals, the novel explores the effects
of great art on the families of the artist as well as the license the
artist takes with using the content his children provide and the
effect on them of using it. The rather strange appearance of eugenics
as a plot element seems an unnecessary device to me.
At
one level &
Sons
is a novel of the lives and trials of the rich and talented from the
upper east side of Manhattan. At another level it catalogs and
explores the tensions of searching for self in an environment of
parental acclaim and achievement as well as one of much literature's
great themes, the search for father. The language is often crisp, the
situations eerily familiar. David Gilbert writes about a world he
knows and seems to have the same mixed feelings about as the sons in
his novel. David
Gilbert is the author of The Normals and the short story collection
Remote Feed. His stories have appeared in The New Yorker, Harper’s,
GQ, and Bomb. He lives in New York City with his wife and three
children.
&Sons
by David Gilbert (Random House, 2013, 464 pages, $27.00) succeeds on
a number of levels. It's a good tale of a family in crisis as well as
a fine setting of the world of the socially prominent in Manhattan.
The language of generational stress rings true as Gilbert makes us
gasp and laugh almost simultaneously. At times it leaves the reader
uncomfortable while ultimately providing a satisfying read. The book
was provided to me for review by the publisher as an electronic
galley through Edelweiss.
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