Ivy Pachoda has written a luminously
beautiful evocation of life in the Red Hook section of Brooklyn, NY
while producing a gripping and engaging mystery story filled with the
ghosts of possibilities, lost opportunities, death, growth, and a
possible future. Visitation
Street (Dennis Lehane
Books/Ecco, July 9, 2013, 320 pages, $25.99)
has a haunting and haunted quality which captures the reader as it
delves into a down-and-not quite out neighborhood caught between the
expressway and the water where formerly thriving warehouses and docks
have become dilapidated as their businesses have left them to the
drug dealers and gangs, share their space with high rise housing
projects and barely respectable lower middle class housing. On the
waterfront, there's hope that the neighborhood's ship is about to
come in, as a cruise ship company will be docking there. Into this
ethnic, racial, and social soup come Valerie and June, headed for an
adventure on the water with a pink, inflatable float. Tragedy ensues
as June is lost and Valerie, near death, is rescued by Jonathan
Sprouse as he cruises the waterfront in the early morning hours. The
second release of Dennis LeHane's new Harper Collins imprint, this
book is a terrific read that also signals the arrival of a writer
whose work bears careful watching as she develops further.
Red
Hook is a real neighborhood caught in its own world and set apart by
its geography. Ivy Pachoda lovingly portrays its strengths and
dangers as her characters, many of them creatures of the night, try
to live just short of desperation and improve their lot, mostly by
finding a way to leave. For some Red Hook is a trap, while others see
it as an opportunity. Fadi, a Lebanese bodega owner, hopes to upgrade
the quality of his store by appealing to those who come to Red Hook
to shop at the new fresh market or embark on the cruise ship that's
coming soon. A corps of teenagers populate the book with their
impulsiveness, energy, and naivety. Cree, just graduated from high
school, seeks to attend the community college to study for a maritime
career, but cannot break away from his mother's grief over the murder
of his father Marcus or her gift of insight into the supernatural,
which his cousin Monique shares. Jonathan Sprouse, the son of a
former Broadway actress, teaches music St. Bernadette High School,
where he and Valerie are drawn to each other while his life as a
drunk playing in gay bars deteriorates into chaos and guilt. And then
there's the mysterious tagger Ren, who brings a touch of joy and
mystery to improving the neighborhood and the lives of those he
touches. These characters are drawn with an unblinking look at their
faults and weaknesses while simultaneously they are pictured as fully
human, seeking to maintain themselves and even improve their
circumstances against substantial odds.
All
this is accomplished in a prose style which is lyrical, melodic,
realistic, and gritty. Pachoda lingers over her imagery, never
allowing her language to slow the pace of this gripping tale while
revealing details slowly but implacably. Scenes of awareness at the
edge of consciousness, not quite grasped but always nearby pervade
this poetic vision of a world most of us see on the surface while
ignoring or rejecting its realities. It's a world where hurt,
rejection, and hope live side by side. There are the churches, both
the Visitation of the Blessed Virgin Mary and the storefront black
congregation. The parochial school seeking to serve a neighborhood
which cannot afford it. The struggling commercial enterprises. The
child/men of the gangs of young drug dealers, carefully circumscribed
so as not to gain the attention of the real thing. There's hip hop,
show tunes, and church singing swirling in the environment. And there
are the ghosts in people's lives which they allow to haunt them,
perhaps forever. Pachoda offers us a vision of urban living reaching
beyond the stereotypes into the real lives of real people.
Ivy Pachoda
Ivy Pochoda grew up in Brooklyn,
New York in a house filled with books. In high school she fell in
love with playwriting, poetry, and classical languages. She attended
Harvard University, where she studied classical Greek. She also holds
an MFA from Bennington College in Fiction. She is the author of the novel The
Art of Disappearing, which was published in 2009 by St.
Martin's Press. A former professional squash player, she now works as
a ghostwriter. Her short fiction has appeared in H.O.W. Journal and
Canteen and she has contributed to The Rumpus and the Huffington Post
book section. Her nonfiction articles have appeared in The New York
Times, Fantastic Man, Time Out New York, House & Garden, Maxim,
Minx, and BABY. She was the 2009 James Merrill House Writer in
Residence. Visitation
Street is
her second novel.
Visitation Street (Dennis
Lehane Books/Ecco, July 9, 2013, 320 pages, $25.99)
by Ivy Pachoda is a haunting page turner that draws a loving portrait
of the sort of place we tend, as both readers and visitors, turn away
from without giving it the attention it's due. She focuses us, in a
summer of street heat, passion, and loss with her deep sense of place
and the people who inhabit it. The book was supplied to me as an
electronic galley supplied by the publisher through Edelweiss. I read
it on my Kindle.
I'm looking forward to reading a novel by a professional squash player. Squash?
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