Monday, April 30, 2012

Merlefest 2012 - Overview & Farewell

 The Crowd for Alison Krauss - Sunday PM


It's with a good deal of sadness, and maybe a little bit of relief, that for the last time we walked away from the Merlefest closing late Sunday afternoon. This was our tenth year at Merlefest, a short time compared to the hundreds of others who've come since the beginning. (I sometimes think there were five or six thousand people at the first event, considering how many people tell us they've been there since the beginning.) We  watched the festival grow while changing its focus from big and acoustic to increasingly huge, loud, and electric. Volume increases as the evenings wear on, and we find the night performances less and less to our taste. I've often said and written that if there are 20,000 people on campus, there are 20,000 different Merlefests, and this is as it should be. However, when the balance shifts to the point where we head back to our trailer before dark, it suggests that maybe we should be looking in other directions.

When I began writing this blog, I had little idea what it would grow into. We were attending lots of bluegrass events as well as some other musical genres. I wanted to combine my long term love of writing and lifetime habit of doing photography with the new world of the blog, an approach to private journalism that gives everyone an opportunity to express themselves. Beyond my wildest dreams, people came to read what I had to say and see the photographs I posted. They also have stayed to read my essays, book reviews, and occasional rants. This has all been very gratifying, while being enjoyable, too. As the blog has developed, several foci have emerged which seem to characterize its current state. It's also changed from being "my" blog into a joint project we both contribute to. So what and in what direction have the purposes of the blog evolved?

It's our goal to inform other people about the world of bluegrass music where we spend so much of our lives. We hope that this work (for work it surely is) serves to open the world of bluegrass to others the way it has opened for us and welcomed us in.  We both enjoy featuring profiles and pictures of working musicians, always presenting sidemen along with the "stars."  Finally, I'm eager to continue building and increasing the outreach of what's become a popularly recognized vehicle for entertainment and information. We've decided these efforts are better focused on featuring events which can benefit from our efforts and which recognize our contribution to their success. Merlefest has consistently reduced our access to the places that make both photography and personal contact (the stuff of this blog) possible, apparently not recognizing any benefit to them from our efforts. And who can tell? What we know is that smaller festivals see benefits growing from what we do for them. Over the past few days, I've been surprised at the number of people who approach me, and increasingly Irene, even when we're not together, to thank us for what we do. Yesterday, an elderly former teacher came up to us to tell us how much my preview had contributed to their enjoyment of their first Merlefest. Others, fans, professional musicians and family members, have stopped one or both of us to say how much they enjoy the coverage. So, we're sad to be leaving Merlefest, but filled with the friends we've made, the music we've heard, and the experiences we've had.

Now...on with some coverage of the highlights of our Merlefest, beginning with Friday.

Breakfast at the Dine 'n' Dash 
with owners
Ken and Bobby Glass

Vendors Row
Dancin' Dave Doin' His Thing

Tut Taylor signed this rare Album for a Fan

Kruger, Nash, Warner Jam
at Hillside Stage

 James Nash
Jens Kruger

Kym Warner

Audience at Hillside

The Great Tut Taylor
Flat Pickin' Dobro Man

We attended the Chris Austin song writing contest for the first time this year. Twelve finalists divided into four categories each sang one song, chosen from over 1000 entries this year by a committee of professional song writers.  Louisa Brancscomb's song "Stormy Night" won the bluegrass category and Shannon Slaughter won the country division with his song "I've Hit Everything But My Knees." Molly Tuttle won the general category with her song "Walden" and Mandy Radford won the gospel/inspirational division.

Louisa Branscomb & Jeanette Williams
Singing "Stormy Night
Shannon Slaughter sings
"I've Hit Everything but My Knees"

Instrument Contest Winners
Banjo - Brandon Green
Guitar - Ben Cockman

At the Watson Stage
Darrell Scott & Friends

Darrell Scott
Luke Bulla

Patrick Simmons

John Cowan

Bela Fleck & the Flecktones

Bela Fleck and the Original Flecktones concluded their current tour at this year's Merlefest. I often have difficulty sitting through some of Fleck's sets, but found this one lively and enjoyable.  Lots of fun and interesting music.

Bela Fleck

Victor Wooten

Bela Fleck & Futureman (Roy Wooten)


 Jonathan Levy

Check out the lines....

The Sam Bush Band

Steven Mougin (MoJo)
Scott Vestal
Derek Trucks (Guest) & Parks

Home to bed. More tomorrow.

Friday, April 27, 2012

Merlefest 2012 - Thursday

As usual with my Merlefest coverage, speed is more importance than extensive coverage. Each day I'll try to post a representative sample of photos and then I'll come back with more detail and an analysis of the entire event later on. This has been made more difficult this year as  Merlefest management has downgraded my status thus eliminating my access to the Watson Stage photo stand and making it more difficult to get together with musicians we know.  Also, I'll be posting a number of pictures without artists names. If you'll inform me via FB, email, or the comment section which peoples names I've missed, I'll add them later.

Pete Wernick's Jam Camp
Pete & Staff Perform before the Campers

 Jam Camp on Stage

The link below will take those interested to a Google portfolio of sixty-eight photos of Jam Camper performance. Help yourself to downloading them and enjoy the pics.

Kickin' Grass at Main Gate
Lynda Dawkins

 Jamie Dawkins

 Waiting for the Gates to Open
The Neighbors at Main Gate

Deep Dark Woods

Very interesting, somewhat lugubrious Canadian band. Good sound, penetrating music.

Ryan Boldts

Lucas Goetz

Jubal's Kin

 Lost Bayou Ramblers

 Louis Michot
Cavan Carruth
Andre Michot

Andrew Thomas Austin-Peterson

Pauly Deathwish

The Boxcars

Despite Adam Steffey's absence due to illness, the Boxcars did a fine job with Ron Stewart as emcee and the excellent mandolin player Ron Inscore stood in. 

Ron Stewart

 Keith Garrett

 Harold Nixon

Ron Inscore

John Bowman

Donna the Buffalo

Tara Nevins

Jeb Puryear

Dailey & Vincent

B.J. Cherryholms

Jeff Parker

Christian Davis
Jesse Baker

Jamie Dailey

Darin Vincent

Vince Gill