Sunday, January 31, 2010

YeeHaw Junction 2010 - Saturday

Saturday at YeeHaw Junction provided another day of warm weather and fine music.  I'm going to focus on the two new bands that appeared here on Saturday as well as taking some time to look around the grounds a bit.  The forecast called for thunderstorms and high winds, and we did get the wind early on, but the rain never came, and late into the evening it remained warm enough to permit jammers to pick and others to listen dressed in t-shirts or light fleeces.  Two new bands arrived to inject added energy into the mix.  Valerie Smith and Liberty Pike, familiar to this audience, returned from their Caribbean cruise with a new configuration and renewed energy to lay down two extremely entertaining and enjoyable sets.  Hard Ryde, a Canadian band which had been on Smith's cruise, was new to the audience and to me.  This is a very strong band which was well received and deserves to be heard more frequently here in the States.

Promoters Victor Hall and Keith Bass
 
Festival Office

Emcee Evan Carl
 

Vendors


Hard Ryde
 
As readers of this blog know, I like to highlight a group we've never heard that surprises me for its quality and sound at a festival.  Here at YeeHaw Junction, the Canadian band Hard Ryde takes that distinction hands down.  Billing themselves as Canada's premiere bluegrass band, their music encompasses a variety of styles and genres, including bluegrass, old-time, country, and jazz.  From their first few chords, I knew their performance would be interesting and enjoyable.  Combining traditional covers with plenty of new and band originated songs, Hard Ryde offers a diverse and easily accessible program of first rate music.  I look forward to seeing them more frequently south of the border.

Doug DeBoer
 
Will Meadows
 

Chris Ricker

Rich Koop
 

D'Arcy Campbell

Marc Roy
 

Promoters Bass and Hall 
with
Nothin' Fancy
 

 

Valerie Smith and Liberty Pike

Valerie Smith brings and unusual background and style to her band and her work at bluegrass festivals.  With a degree in Musical Theater, she sings, dances, moves, and sell her songs like a Broadway show stopper. Along with that, she brings a winsome and pleasant stage personality and a range of musical choices to the performance.  All this comes together to make Valerie Smith and Liberty Pike a very enjoyable package providing a change of pace and elevating the energy level whereever they perform.  Singer/Songwriter and talented mult-instrumentalist Becky Buller melds perfectly with smith.  Her striking red hair and lithe movement on stage complement Smith's look and sound while blending personalities and sound.  Ernie Evans has brought strong instrumental work on three instruments, at least, as well as good vocals to the band.  The recent addition of Rebekah Long on bass is a welcome addition.  She's a first rate bass player and fits into the animated and lively performance this group offers.  Liberty Pike delivers a huge sound for a four piece band and presents a show that goes far beyond a simple performance of songs.  They use a range of material that maintains high interest and generates genuine enthusiasm from the audience.

Becky Buller
 

Ernie Evans

Rebekah Long
 

Valerie Smith

Triple Fiddles
 

Becky and Rebekah

Valerie, Becky and Ernie
 

Valerie

Around the Festival
Bill Huckaby
 
Marty - The 50/50 Lady

Mike and Mary Robinson - Bluegrass Evangelists
 

Clint Wilson and Kalyn Hall

Me
 

Jammin' in the Evening - A Bluegrass Tradition


 

  

 

2 comments:

  1. Hi, your photographs are always beautiful!

    I listend to Hard Ryde and their muic is very easy to listen to.
    When I looked at the picture of Chris Ricker, I thought that he was playing the viola but on their homepage, he says that his instrument is a fiddle.

    Is there any case that a viola is used in bluegrass?

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  2. While many might not call it bluegrass, Eamon McLoughlin, formerly of the Greecards, played viola on some of their songs. I can't see why the sonorous, deeper sounds of a viola wouldn't work in bluegrass barring the objections of traditionalists. Look at the impact of the cello with Crooked Still.

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